Best Sony Lens for Landscape Photography [2022 Review]

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Landscape photography fits all the important aspects of the scene in one shot. This is the reason why the best sony lens for landscape photography offers numerous focal length ranges, from the widest angle all the way to the longest telephoto, so that you won’t miss a spot. 

Our Top Landscape Photography Sony Lens Reviews

The best Sony lens for landscape photography is a wide-angle zoom lens as it allows you to get close to the subject without excluding the amazing elements in the background.

Sony FE 12-24mm f/2.8 

The Sony 12–24mm f/2.8 offers an ultra-wide angle of view so you can fit all of the scenery in one image. Its aperture of f/2.8 is wide enough to use in low light conditions.

The 12mm focal length can emphasize the distance between you and the subject, and it can create a whole new perspective in engaging visual imagery. It has built-in image stabilization to compensate for a shaky camera. 

Since all of the important controls such as the zooming ring, focusing ring, focus hold button and focus mode switch are located in one place, the lens is easy to use and operate. 

With a built-in Aspherical element, the images are free of blurs, flares, and ghosting throughout the focal length range. 

The lens is also weather-resistant. You can use it outdoors anytime. It has built-in image stabilization to compensate for a shaky camera. It is a feature that the Sony FE 24-105mm f/4 and the Sony FE 16-35mm f/2.8 does not have. 

However, it does not have a silent autofocus system, which means the motor of the lens will produce a grinding noise when you zoom in on the subject, and it could cause distraction. 

Also, it is not compatible with filters, unlike Sony FE 12-24mm f/4, Sony FE 24-105mm f/4 and the Sony FE 16-35mm f/2.8, so it decreases your options of adding effects. 


  • The Aspherical elements reduce flares, blurs, distortion, and ghosting on images
  • It is equipped with a built-in image stabilization feature that stabilizes the shot even if you move around
  • Weather-resistant, it can handle light rain, snow, moisture, and other harsh elements


  • The autofocus feature is not silent; the noise it produces may distract your subject
  • it does not support camera filters; the options for effects are minimal

Sony FE 12-24mm f/4 G Lens 

The Sony – FE 12-24mm f/4 has a range feature that creates stunning corner-to-corner resolution. The autofocus feature is fast, precise, and quiet, so you can take pictures of your subject discreetly, and it is great for filming movies.

The optical aberrations are effectively controlled and suppressed thanks to its built-in Aspherical element. Since wide-angle lenses naturally create chromatic aberrations due to their width, Aspherical elements restore the alignment of light rays, so it minimizes its appearance, thus ensuring high-resolution images. 

The lens is weather-resistant, and it can withstand harsh weather conditions, dust, and moisture, a feature that the Sony FE 24-105mm f/4 is not equipped with. 

The ring of the lens is rubberized. This means it can still operate smoothly even if it is exposed to low temperatures. 

With its fluorine front-element coating, unlike the Sony 12–24mm f/2.8, making the lens easy to swipe and clean, removing all fingerprints and dirt. 

However, its aperture of f/4 is very narrow. It can’t be used in dimly lit areas as it will cause distortion and shadows. Also, it does not have an image stabilization system, which means the effects of a shaky camera will be visible on the images. 


  • It has Aspherical elements that prevent unwanted effects such as chromatic aberrations, flares, blurs, and ghosting
  • It is weather-sealed; you won’t have to worry about using it outdoors
  • The lens produces high-resolution images throughout the focal length range


  • The f/4 aperture is narrow, can’t be used for nighttime photoshoots
  • No image stabilization. You will need a stabilizer or tripod to prevent unwanted effects.

Sony FE 24-105mm f/4 G OSS Lens  

The Sony FE 24-105mm f/4 has advanced optics that produce high-resolution corners throughout the zoom range. It is small, light, and ideal for travelling.

The lens has four Aspherical elements that can reduce chromatic aberration, while the Extra-Low Dispersion reduces the appearance of flares, distortion, ghosting and blurs on your images. 

With its circular aperture and spherical aberration shape, the lens can create a beautiful background bokeh and aesthetically pleasing highlights that complement the clarity and sharpness of the subject. 

The built-in image stabilization enhances its all-around versatility as it lets you do handheld photoshoots without having to worry about distortion or blurs. It is a feature that the Sony FE 12-24mm f/4 and the Sony FE 16-35mm f/2.8 do not have. 

The autofocus system is quiet and fast, ideal for filming videos and taking pictures of live subjects, as the motor does not produce any noise when you zoom in. 

The fluorine coating makes it easier to clean your lens from dirt, fingerprints, oils, dust, water droplets and more. 

However, its narrow aperture of f/4 prevents it from shooting images in the dark as it results in a blurry image. Also, the lens is not weather-sealed, unlike the Sony 12–24mm f/2.8 and the Sony FE 12-24mm f/4. The lens needs to be cleaned regularly to keep its quality.


  • The image stabilization allows you to hold onto the camera as you take pictures or film videos and prevents the appearance of blurs and distortion.
  • The circular aperture creates a creamy bokeh that adds to the artistry of your images.
  • Its silent autofocus system allows you to take pictures of your subject without startling them with the sound of the focus motor. 


  • Not weather-sealed, exposing it to elements may deteriorate the quality of the lens
  • The f/4 aperture doesn’t let enough light in. It can’t be used for taking pictures at night.

Sony FE 16-35mm f/2.8 

The Sony FE 16-35mm f/2.8 offers numerous opportunities to capture subjects in creative and unique ways. The lens delivers superb resolution with beautiful bokeh and soft background blur for effects.

The aperture of f/2.8 is wide, so it is ideal to use in low light areas. The resolution from each side of the frame is high, so it is great for architecture and landscape photography as it does not blur any corner. 

With Extreme Aspherical elements built in the lens, you won’t have to worry about flares, ghosting, or unwanted blurs caused by bad lighting and uneven angle. The special elements can balance it out and ensure a clear and crisp photo. 

You can confidently use the lens outdoors because it is protected against water, dust, and moisture. You can also easily bring it anywhere since it is very light and it is small enough to add to your bag when you travel. This is a feature that the 24-105mm f/4 is not equipped with.  

However, the lens does not have an image stabilization feature that combats camera shakes, unlike the Sony 12–24mm f/2.8 and the Sony FE 24-105mm f/4 . Also, slight distortion is visible when the focal length is set to 35mm.


  • The wide aperture of f/2.8, great for nighttime photoshoots
  • Equipped with Extreme Aspherical elements that immediately corrects blurs, flares and ghosting on photos
  • Waterproof, dustproof and moisture-proof, the quality of the lens is protected no matter what the weather condition is


  • Distortion can be seen when the maximum focal length of 35mm is used.
  • No image stabilization, accidental camera movements can cause distortion in the pictures.

Features to Consider in Sony Lens for Landscape Photography

Aside from having the capability to produce high-quality images, other unique considerations should be kept in mind when choosing the best Sony lens for landscape photography. 

Weather-SealedImage StabilizationSilent Autofocus
Sony FE 12-24mm f/2.8 GM Lens YesYesNo
Sony FE 12-24mm f/4 G Lens YesNoYes
Sony FE 24-105mm f/4 G OSS Lens  NoYesYes
Sony FE 16-35mm f/2.8 GM LensYesNoYes

Weather Resistance

Since you will be working all the time outdoors, there is a chance that you will have to do a photoshoot during unfavorable weather conditions. 

A weather-sealed lens should be a priority so that it is protected against snow, dust, dirt, sand, moisture, and water droplets. 

The Sony FE 12-24mm f/2.8 and the Sony FE 12-24mm f/4 G are weather-sealed. 

A photographer holding a camera with Sony lens

Image Stabilization

Image stabilization is a special feature that prevents shaking motions of the camera from getting magnified and affecting the images. With this feature, your images are clear and sharp even if you walk around with the camera in your hand. 

If you are looking for a lens with an image stabilization system, you can go for the 12-24mm f/2.8 or the 24-105mm f/4 G. 

Silent Autofocus

Landscape photography involves nature, and often there are live subjects involved, such as wild animals and insects. 

The silent autofocus feature lets you zoom in on the subject quietly without scaring them off. This feature is useful for wildlife photographers as well. 

If you wish to have a lens with a silent and fast autofocus system, you can go for the Sony FE 12-24mm f/4, Sony FE 24-105mm f/4 or the Sony FE 16-35mm f/2.8.

Frequently Asked Questions

How is Landscape Different From Portrait in Photography?

Landscape photography is different because the camera’s orientation is used horizontally when taking pictures of the subjects, while for portrait photography, the camera’s orientation is used vertically. 

Landscape photography focuses on nature and the environment, while portrait photography focuses on taking pictures of animals, people, buildings and other types of architecture.

What Does FE Stand For in Sony Lenses?

The “FE” on Sony lenses stands for “Full-Frame.” This means that the lens is compatible with full-frame cameras such as the Sony A7III and the Sony A7R IV.

Full-frame lenses are also compatible with Advanced Photo System type-C or APS-C cameras like the Sony A6000. 

The FE lenses can be attached to an E-mount camera that has an Advanced Photo System type-C or APS-C sensor. It automatically crops the image in the center to fit into the FE lens, so the images do not have any dark corners, and there is no distortion or vignetting. 

Sony lens inside a case

What Does G Master Mean in Sony Lenses?

The G Master in Sony lenses is the latest lineup that Sony has created for its full-frame cameras. The focus of the G Master lens series is the bokeh and resolution of the images. 

The G Master lenses have a standard focal length of 50mm, which is an increase from its predecessor that only had a focal length of 10mm to 30mm. 

As for the bokeh, the G Master lenses create a lifelike nature of an image, and it creates a smooth in-focus and out-focus area. The lenses also have 11 aperture blades for sharper edges. 

Each G Master lens has a different type of drive mechanism built for its autofocus feature. For example, the 24-70mm G Master lens uses a Direct Drive Supersonic Motor or SSM, which is a fast, silent and precise autofocus. 


Landscape photography is universally embraced because it connects with its viewers on a personal level. It produces images that emphasize how truly beautiful nature is. 

With the best Sony cameras for landscape photography, you can enhance the images and add artistic flares to give you a different perspective of your surroundings. 

Jared Bauman has spent more than twenty years in the professional photography profession. He founded Bauman Photographers in 2001, which is a wedding and commercial photography studio in San Diego, California. The company has been in business for 20 years, and has a stellar reputation in the community. In 2007, Jared co-founded ShootDotEdit, the premium post production company for professional wedding photographers worldwide. The company has edited millions of images for photographers around the world. Jared has spoken and presented at the Wedding and Portrait Photographers International Conference 9 years in a row. He has also given several multi-day courses on Creative Live, in addition to two national speaking tours.