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The Nikon D7500 is a versatile camera that is suitable for both professional photographers and amateurs. It has a modern 20-megapixel sensor, an advanced light meter, and a fast capture time of 8 frames per second.
The D7500 is a great camera for every subject, including nature, landscape, sports, and portraits. If combined with the best lenses for Nikon D7500, you can take high-quality photos and videos and enhance your real estate photography skills.
- Our Top Lenses for Nikon D7500 Reviews
- Features to Consider for Lenses for Nikon D7500
Our Top Lenses for Nikon D7500 Reviews
The Nikon D7500 is a great camera for photographers that are looking for more options. Whether you want a fast camera that captures moving subjects or one that can take high-quality videos, the D7500 can do it all.
Since it has high quality and extensive capabilities, it is only fair that it is paired up with lenses to enhance those capabilities. Here are our choices for the best lenses for Nikon D7500.
NIKKOR 70-200mm f/2.8G
Photographers will find the NIKKOR 70-200mm f/2.8G versatile, especially when working outdoors. The lens measures 8.0 x 3.5 inches, and it weighs 3.2 pounds. It is the heaviest lens on the list. Regardless, it has everything that you need to snap high-quality images.
Since it has an internal zoom design, its physical length does not change when adjusting the focal length. A reversible lens hood, the front, and rear caps, and a carrying case are all included, plus the lens itself has a rotating tripod collar with a removable foot.
The lens is finished in black with some gold accents and it matches the design of other modern Nikkor lenses. The barrel is made from polycarbonate, so it is sturdy and won’t easily crack if you drop it.
The zoom and focus rings have switched positions, with the zoom ring located at the front of the lens, while the focus ring is toward the rear. There are some control switches on the barrel, between the mount and the manual focus ring.
The topmost switch adjusts the focus mode and it includes A/M, which can override autofocus manually when shooting in AF-S mode. It also includes M/A, which does the same in AF-S and in AF-C, and it has M, which disables autofocus.
As for the focus, it is highly possible to 3.6 feet, which is a full foot closer than the older version of the lens. It adds a level of versatility and when focused to the minimum distance, it projects the subjects onto the sensors at 1:4:8 life-size. Although it is not for macro photography, it is better than the average telezoom lens.
The NIKKOR 70-200mm f/2.8G produces sharp photos. However; image distortion is visible when it is zoomed at 100mm. It causes straight lines to appear to curve inward. Also, the lens comes with a hefty price.
- Amazing optical qualities
- Internal zoom design, so the lens does not change shape
- Perfect for event photoshoots
- Produces sharp images
- Heavy, not ideal for traveling
- Distortion is visible when the maximum zoom is used
- Type of lens: G-type AF-S Zoom-NIKKOR lens with built-in CPU and Nikon bayonet mount
- Focal Length Range : 70 -200 mm, Minimum Focus Distance- 4.6 ft.(1.4 m)
- Dimensions: Approx. 87 mm dia. x 205.5 mm extension from the camera’s lens-mount flange
Sigma 35mm F1.4 DG HSM Art
The Sigma 35mm F1.4 Art was the first full-frame prime lens in Sigma’s Global Vision Art series that made a massive impact, undercutting other lenses in price without sacrificing quality and image.
The 35mm Art is usually sized for an f/1.4 prime of its focal length. It measures 3.7 x 3 inches and weighs 1.5 pounds. The lens supports 67mm front filters, and the barrel is a mix of polycarbonate and metal, making it dustproof and waterproof. A reversible lens hood is included.
A full-time manual focus feature can be used by turning the focus ring, which can be found at the front and is covered in textured rubber for a comfortable grip. There is also a focus toggle switch which is useful if you wish to disable autofocus.
Focus is possible by being as close as 11.8 inches to the subject, magnifying it at 1:5 life-size. If you want a 35 with near macro performance, consider the Tamron SP 70-200mm f/2.8 Di VC USD.
A small window located at the top of the barrel shows the current focus distance from the subject, with the specific feet and meters.
Despite its amazing features, it performs poorly when paired with a high-resolution sensor. The center of an image is sharp at f/1.4, although as you slowly move away to the third section and middle of the frame, the resolution decreases to 2,100 lines, and it appears soft.
- Can produce high-quality results and sharp images
- It has a wide aperture, making it possible to take pictures in low-light areas
- Available for multiple camera systems
- Very affordable
- Heavy vignette effect, which means that the center of the photo is emphasized while the edges are darkened
- Omits image stabilization so that images can be blurry over slight motion
- Not the best option for ultra-high-resolution cameras.
- High speed with large aperture
- HSM (Hypersonic motor) and inner focusing system
- Accessories include: Lens Hood (LH730-03), carrying case
NIKKOR 35mm f/1.8G
The Nikkor 35mm f/1.8G is an inexpensive, lightweight lens that’s great for the Nikon D7500. It works as both APS-C and full-frame bodies, prides itself with an internal focus motor, and captures photos with high-quality sharpness.
The lens measures 2.8 x 2.8 inches and weighs 10.8 ounces. This featherweight lens supports 58mm front filers and includes a reversible, petal-style lens hood and a carrying pouch.
The lens can focus on subjects that are as close as 9.8 inches. This can result in a 1:6 magnification ratio on a full-frame camera. Still, it won’t limit your ability to take pictures of non-macro subjects.
With its f/1.8 aperture, you can capture images with a shallow depth of field, even if you are not close to the subject. However; it does not have optical image stabilization. If needed, the clutter can be removed using software tools.
- Produces sharp images
- Light, perfect for traveling and outdoor photoshoots
- Its wide aperture lets you take images in low-lit environments
- No optical image stabilization may cause blur if the camera shakes
- Some barrel distortion, since the lens is curved, the center is magnified, and the edges aren’t
- The focus ring has some slack between movements
- Lens not zoomable; 35 millimeter focal length, Macro Focus Range : 0.25 meter
- 52.5 millimeter equivalent focal length on DX Format cameras; F1.8 maximum aperture, F16 minimum
- Ultrasonic type AF motor with full time manual focusing; 58 millimeter filters; Note: Refer the user...
Nikon 24-70mm f/2.8E ED VR
Since its release, the Nikkor 24-70mm f/2.8G ED VR has been the workhorse of many real estate photographers. It features vibration reduction, which Nikon calls image stabilization, making the lens ideal for handheld real estate videography.
Although the Nikkor 24-70mm f/2.8G ED VR isn’t small, it still balances well with the Nikon D7500 camera. It measures 6 x 3.4 inches without its lens hood, and it weighs 2.4 pounds.
The lens supports 82mm front filters, and there is a lot of glass inside the touch composite barrel. The focus motor moves it with amazing speed without creating much noise. It is bigger and heavier than the NIKKOR 35mm f/1.8G and the Sigma 35mm F1.4 DG HSM Art.
The zoom ring can be found at the base of the lens. It is covered in the same rubberized rectangular pattern and has markings at 24, 28, 35, 50, and 70mm.
The switches that adjust the focus mode and optical stabilization can be found on the left side of the lens barrel, and in front of it is the depth of field marking, so it is easier to determine how close or far the subject must be to get high-quality images.
The lens is sharp, and even though it shows some distortion and the edges get affected when the frame is adjusted at f/2.8, it is not that unusual for a zoom of this type. It is a bit expensive, although not as expensive as the NIKKOR 70-200mm f/2.8E, so it can still be bought by photographers at a reasonable price.
- The focus motor is fast and silent
- It has optical stabilization, making it perfect for handheld videography
- Images are sharp
- Rubberized zoom ring for comfortable grip
- Adjusting frame at f/2.8 causes slight distortion
- Edge performance suffers at wide apertures.
- A bit pricey than Sigma 35mm F1.4 DG HSM Art and NIKKOR 35mm f/1.8G
Nikon 105mm f/2.8G IF-ED VR Micro
The Nikkor 105mm f/2.8G IF-ED VR Micro is a must-have lens for macro photographers. It is compact and can focus close enough to project life-size images onto a full-frame image sensor.
The lens has an optical stabilization system feature to minimize blur on images and videos when the camera moves, a f/2.8 aperture makes it possible to shoot in low-light conditions. It is one of the sharpest lenses in the Nikon camera system.
The Nikon 105mm f/2.8G IF-ED VR Micro measures 4.6 x 3.3 inches and weighs 1.6 pounds. It supports 62mm front filters and 1:1 magnification at its 12-inch focus distance.
This means that the subject’s size that the lens projects on the image sensor of the camera matches the real-life size of the subject. However, the working distance is shorter than that of the NIKKOR 35mm f/1.8G, which supports 1:6 magnification.
Nikon 105mm f/2.8G IF-ED VR Micro comes with a few toggle switches. One sets the focus limiter for faster non-macro focusing, the second one switches between manual and autofocus, and the third enables and disables the optical stabilization system.
The lens also has a distance scale that displays the focus distance in feet and meters, and it also shows the magnification ratio at a distance. As for the lens barrel, it is fabricated from a hard black composite material with a rubberized grip on the manual focus ring.
Depth of field scale, which shows the distance between the nearest and the farthest objects, only has markings for f/32, unlike the Nikon 85mm f/1.8G with a better depth of field scale with a marking of f/16. To get a better depth of field for a shot, it is better to use the depth of field preview function of the Nikon D7500.
- Can produce sharp images
- No distortion as the lens is equipped with a wide aperture for low-light photography
- It has an optical stabilization system so images won’t be affected by camera movements
- Light and easy to carry around
- Depth of field on the lens only has f/32, as the best depth of field should be f/1.4
- Working distance is short as it only supports 1:1 magnification
- Designed for close-up and macro photography; versatile enough for virtually any photographic...
- Maximum Angle of View (FX-format): 23°20'.Features new VR II vibration reduction technology, Focal...
- Nano-Crystal coat and ED glass elements that enhance overall image quality by further reducing flare...
Tamron SP 70-200mm f/2.8 Di VC USD
The Tamron SP 70-200mm f/2.8 lens is perfect for professional photographers and has all the features fitted for enthusiasts.
Affordable, sharp through its range, and built tough, the lens is a solid choice if you are searching for a 70-200mm and don’t want to go over the high price.
The lens does not deviate in size or shape from other takes on the design. It measures 7.6 x 3.5 inches and weighs 3.3 pounds, making it the heaviest lens on the list.
The SP 70-200mm f/2.8 supports 77mm front filters and features an internal zoom design, so it does not change length when you zoom in.
An integrated, rotating tripod collar can be found near the base, so a tripod thread can be used when mounting a support system to better distribute the weight of the camera and lens.
The lens has a black finish and a strong metal barrel. It is sealed to prevent moisture and dust, and the front element has a fluorine coating that repels oils and moisture, so it is easy to clean off thumbprints and can be used even in the rain.
This is a feature that the NIKKOR 70-200mm f/2.8E, NIKKOR 35mm f/1.8G, Nikon 24-70mm f/2.8E ED VR, Nikon 105mm f/2.8G IF-ED VR Micro, and Nikon 85mm f/1.8G do not have.
The lens has a few control switches that are located about mid barrel. A focus limiter can be set to allow autofocus across the entire range, or it can be changed to autofocus from 10 feet to infinity.
An AF/MF switch changes the focus mode, and there are two switches to set the lens’ Vibration Compensation system. The first switch turns the VC on or off, and the second one sets it to mode 1, 2, or 3.
Mode 1 is used for most shooting scenarios, Mode 2 is for shots done when panning the camera or tracking a moving subject, and Mode 3 is for extreme compensation to help correct unwanted effects in the images.
However; this lens is not ideal for macro photoshoots due to its limited close-focusing distance. If you wish to get a lens for macro photography, Nikon 105mm f/2.8G IF-ED VR Micro is the one to get.
- Adjustable autofocus
- Images remain sharp through the lens range
- Internal zoom feature, so the lens does not change shape
- Big and heavy, it can be used outdoors however, it needs a tripod
- Produces poor macro results with a minimum close-focusing distance of over 4 feet
- Few distortions visible although it does not affect image sharpness.
- Complete Tamron Lens Kit Feauturing A Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for Canon EF
- LENS FEATURES: EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
Nikon 85mm f/1.8G
The Nikon 85mm f/1.8G is a solid performer and affordably priced. It is sharp, even at f/1.8, and very light, making it easy to bring with you while you travel.
The lens measures 2.9 x 3.1 inches and weighs 12.4 ounces. It supports 67mm front filters, and a reversible bayonet lens hood is already included.
However; it does not have an optical stabilization system, so it is not right for handheld video recording. The control switch of the lens can change it between manual and autofocus.
The manual focus ring is located right behind the front element. It has a printed scale that changes to show you the exact distance that the lens is focused.
Next to the distance indicator is the depth of field scale, with markings for f/16. However, the focal length, short focus throw, and narrow markings make focusing by scale impractical, even when it is stopped down.
The aperture of the Nikon 85mm f/1.8G is a 7-blade design, with rounded blades, so highlights that are out-of-focus will be circular especially when the lens is stopped down.
The close focus of the lens is limited to 2.6 feet, which photographers who are used to working with wider angle lenses that focus closer might find limiting.
The longer focal length does give a maximum magnification ratio of 1:8:3. However, it does not cover macro photoshoots. If macro photography is what you are after, it is best to get Nikon 105mm f/2.8G IF-ED VR Micro.
- Excellent sharpness on images
- Wide aperture so you can do photoshoots in low-light areas
- Small and light, easy to bring anywhere
- Limited close focus capability
- Not ideal for macro photoshoots
- No optical stabilization system, so it can’t be used in handheld videography.
- Fast aperture medium telephoto lens
- Internal focus, focal length: 85 millimeter, minimum focus range: 0.80 meter
- Silent wave motor (SWM). Number of diaphragm blades: 7 (rounded diaphragm opening)
Features to Consider for Lenses for Nikon D7500
The Nikon D7500 comes with its own kit lens. However, real estate photography involves using more than just one type of lens, so it is best to add more lenses to your arsenal.
There are lenses that are created for specific needs. So, how do you know which one would benefit you the most? Here are features you need to be aware of so you can get the best lenses for the Nikon D7500.
Prime vs. Zoom Lenses
Considering how great the Nikon D7500 is, it would be a waste not to use it to its full potential. You will need to decide on whether you will want a zoom lens or a prime lens.
A zoom lens gives you a variable f-stop range, as well as a wide range of focal length, just like Tamron SP 70-200mm f/2.8 Di VC USD. This is one of the main reasons why photographers choose to get the zoom lens.
As for prime lenses, it will give you better brightness and quality. It is easier to control, manage, and correct if there are errors.
With these features, better quality photos are taken compared to the zoom lens. It is best to figure out what type of pictures you would want to get before choosing between prime lenses and zoom lenses.
Image stabilization helps reduce shake, and it is very important in camera bodies that do not offer in-body stabilization.
Nikon calls this feature vibration compensation, and it is useful if you want to shoot in low-light conditions. Nikon 24-70mm f/2.8E and Nikon 105mm f/2.8G IF-ED VR Micro have this feature.
When it comes to focal length, it is measured in millimeters or mm. Printed on the lens will be the focal range or the range that a lens can zoom from its widest focal length.
A camera lens that has a zoom range from 18mm to 55mm is usually a standard zoom lens, like Sigma 35mm F1.4 DG HSM Art, NIKKOR 35mm f/1.8G, and Nikon 24-70mm f/2.8E ED VR.
If you need to get closer to your subject, it is best to get a telephoto lens like Tamron SP 70-200mm f/2.8 Di VC USD. It provides a magnified image view where you can get a closer photo of the subject.
The angle of view is reduced, which results in background with less clutter in the edges or distracting elements, and the more you zoom in, the more your background tends to fall off into blur, so it draws the attention to the subject.
Lens Focusing Speed
The minimum focusing distance all depends on the type of lens that you get. A minimum focusing distance is when you need to be away from your subject before a lens focuses.
With telephoto lenses, like the Tamron SP 70-200mm f/2.8 Di VC USD, you can be a few meters back from the subject before the lens focuses.
If you are too close to the subject, the lens will not focus correctly. The minimum focusing distance will depend from lens to lens; usually, wide-angle lenses allow you to get close to the subject, at least 1 foot away, and it will still focus on the subject.
Choosing the right lens for the Nikon D7500 camera can be a challenge, especially if you are a beginner. The lens market is enormous, and with so many choices and manufacturers, choosing the right lens is important. Each lens is different, but the ones in this buying guide are closer to the needs of a real estate photographer.