Best Lenses for 70D [2022 Review]

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Professional photographers do not doubt the quality and built of Canon cameras, especially the EOS 70D. The Canon 70D features a built-in flash that can be used on an automatic or an ISO setting. However; to get the most out of this wonderful DSLR camera, you’ll need to pair it with the best lenses for 70D.

Our Top Lenses for 70D Reviews

The exact lenses you’ll need will depend on your needs and photographic or videography expectations. Our picks cover a range of high-quality optics for the Canon EOS 70D. Some of the lenses are not the Canon brand, and there are good reasons for that.

Sigma 18-35mm F1.8 Art DC 

The Sigma 18-35mm F1.8 Art DC is a capable lens with a solid barrel that gives it a professional feel, and the built quality is top-notch.

The lens measures 3.1 x 4.8 inches and weighs 29 ounces, making it lighter than the EF 100mm f/2.8L, Sigma 35mm f/1.4DG HSM Art, and Canon EF 24-70mm f/2.8L II USM, and it is a bit heavier than the EF 50mm f/1.4 USM. 

The sharp images and minimal distortions make this lens the best on the list. It is consistent with its results, and its low-light capability makes it a great outdoor companion. 

With its f/1.8 resolution, smooth operation, and the quality of the images it produces, it is a must-have for people who own a Canon EOS 70D camera. 

The lens uses an ultrasonic autofocus motor for fast and silent focusing. It is compatible with Sigma’s latest USB dock, which allows you to fine-tune autofocus behavior in detail. It can help get the best focus accuracy and make the most of the aperture. It also includes an AF switch and a massive grip area on the barrel base for better handling. 

Unfortunately, the lens is not waterproof and dustproof, so it needs some regular maintenance. The lens cap slips all the time, so it needs to be checked from time to time to ensure it is in place. 


  • It has a focal length of 18-35mm, making it perfect for sports captures
  • High-speed f/1.8 aperture, ideal for outdoor photoshoots
  • Uses silent focusing so your live subject won’t be disturbed
  • Large grip area so it is easy to hold 


  • It does not have weather sealing
  • The lens cap is difficult to put back on and won’t stay put
  • Expensive

Sigma 35mm f/1.4DG HSM Art

The Sigma 35mm f/1.4DG HSM Art measures 3.7 x 3.03 inches and weighs 1.5 pounds, making it heavier than the Canon EF 50mm f/1.4 USM, 1.Sigma 18-35mm F1.8 Art DC, and Canon EF 100mm f/2.8L IS USM lenses.

The lens supports 67mm front filters so you can enhance your images and get your desired results. Its barrel is made out of metal and polycarbonate, and it has a black finish. 

Full-time manual focus override can be done by turning the focus ring which is located at the front of the lens and is covered in textured rubber, so you can change the focus anytime, even if it is on autofocus mode. The focus toggle switch is also available, so you can disable autofocus if needed. 

The lens features an aperture of f/1.4, making it more ideal to use in low-light settings than the Sigma 18-35mm F1.8 Art DC, which only has an aperture of f/1.8. 

As for image sharpness, the Sigma 35mm f/1.4DG HSM Art is ahead of the rest. It has a 15P-Mpix score for sharpness, and distortion and chromatic aberration are very low, so the images are clear and crisp.

However, the vignette effect is high, so if you wish to add lighting or darkening effects on the edges of your photos, it may be a bit difficult. 

The lens does not have image stabilization, so it is not ideal for handheld photography or videography. Even though it is perfect for Canon EOS 70D, it is not the best option for ultra-high-resolution cameras. 


  • Produces sharp images
  • It has a wide aperture so that it can be used in low-lit environments
  • Solid build quality
  • Attractive price


  • Heavy vignette effect, adjusting darkness and lightness on the edges of the photo may be complicated.
  • It does not have image stabilization, photos may be affected if the camera is shaky.
  • It can’t be paired up with ultra-high-resolution cameras due to limited features.

Canon EF 50mm f/1.4 USM

Photographers need a lightweight lens that they can use every day, and the Canon EF 50mm f/1.4 USM is one of the most affordable ones. It is fast, has low-light capability, and has a shallow depth of field.

The lens has an ultrasonic autofocus motor feature, so the focus switch is fast, smooth, and almost silent, making it perfect for capturing live subjects. The peripheral brightness is excellent too. 

The EF 50mm f/1.4 has a wide aperture, unlike the Sigma 18-35mm F1.8 Art DC. This lens is very popular for low-light shooting because it can let more light in, and it has the ability to isolate subjects from backgrounds for the blur effect. 

Measuring 2.91 x 1.99 inches and weighing only 10 ounces, the Canon EF 50mm f/1.4 USM is the lightest lens on the list. 

The other lens on the list has focus rings to use autofocus and full-time manual override features. In contrast, the Canon EF 50mm f/1.4 USM uses micro-USM, so it has a noisy mechanical gear train, unlike Sigma 18-35mm F1.8 Art DC and Sigma 35mm f/1.4DG HSM Art, which are silent. 

The lens can balance the colors beautifully in the images that it produces. It is perfect for the full-frame format, has minimal distortion, and perfect for portrait and telephoto format. 


  • Wide aperture, perfect for low-light photography
  • Fast autofocus and manual focus override
  • Light and easy to carry around
  • Very affordable


  • The lens produces a noise when focusing on a subject
  • No internal focus feature, so the lens rotates and shifts when you focus
  • Not waterproof and dustproof

Canon EF 100mm f/2.8L IS USM

The EF 100mm f/2.8 USM is a great macro lens and is highly recommended for those who are starting out in macro photography.

Measuring 3.06 x 4.84 inches and weighing 1.38 pounds, this lens is on the heavier side. It is heavier than the Canon EF 50mm f/1.4 USM and Sigma 18-35mm F1.8 Art DC yet lighter than the Sigma 35mm f/1.4DG HSM Art and the EF 24-70mm f/2.8L.

The lens’ build quality is pretty decent; however, it is not solid. Real estate photographers need to be very careful when handling it as it is prone to breaks and cracks, unlike the Sigma 35mm f/1.4DG HSM Art, which has a more solid build. 

With its ultrasonic motor, the lens focuses very quickly, and it is accurate and silent. When focusing at 1x subject distances, it does not extend. 

The full-time manual focusing is enabled, and the front element does not shift or rotate. It has a focus limiter switch that enables full or restricted focus distances. The manual focus ring is smooth, well-damped, and nicely sized. 

The aperture isn’t wide as it only goes up to f/2.8, making it the narrowest aperture on the list. This means that the lens is perfect for low-light areas as it may cause distortion and unwanted effects on the image. 

Finally, the EF 100mm f/2.8L is weatherproof, a feature that Sigma 18-35mm F1.8 Art DC, Sigma 35mm f/1.4DG HSM Art, and Canon EF 50mm f/1.4 USM does not have. 


  • The focus is fast and accurate
  • The focus ring is smooth to the touch, so it is comfortable to use
  • Color and contrast on images are excellent
  • Is waterproof and dustproof


  • It does not have a wide aperture, so it can’t be used for low-light shootings.
  • Poor build quality
  • Expensive

Canon EF 24-70mm f/2.8L II USM

The Canon EF 24-70mm f/2.8L II USM features an all-new optical design made to provide improved imaging performance and reduced distortion.

The lens measures 4.45 x 3.5 inches and weighs 1.7 pounds, making it the heaviest lens on the list. It is weather-sealed, a feature that Sigma 18-35mm F1.8 Art DC, Sigma 35mm f/1.4DG HSM Art, and Canon EF 50mm f/1.4 USM does not have. 

The EF 24-70mm f/2.8L II USM promises robustness due to revised internal construction. It is designed for Canon’s high-end full-frame bodies, like that of EOS 70D. It is an excellent lens for real estate photographers that need to deliver the best results in a wide range of conditions. 

The EF 24-70mm f/2.8L uses an exotic optical design with two ultra-low dispersion glass elements and one Super UD aspheric element to minimize aberrations. 

The lens is a ring-type ultrasonic motor feature for fast and silent focus with full-time manual override, a feature that Canon EF 50mm f/1.4 USM does not have due to it being an older model. 

One feature that the lens does not offer is image stabilization, unlike the Sigma 18-35mm F1.8 Art DC. This means that the image may be compromised if the camera slightly shakes. 

Aperture is very narrow, so it is not ideal for outdoor photography or be used in areas that have little to no light. Even though it only has an aperture of f/2.8, it still produces clear and sharp photos as long as there is proper lighting. 


  • Produces high-quality images
  • Has fast and silent focus so you can capture your live subject in time
  • Distortion is reduced, so the edges of the images are clear


  • Very heavy, not ideal for carrying around
  • No image stabilization, can’t be used for handheld photography
  • Aperture is only f/2.8, so it can’t be used in a low-lit environment
  • Very expensive

Features to Consider in Lenses for 70D

What is a great camera without a good lens? Lenses for the 70D can usually come with a hefty price, however, they are essential in producing high-quality images. 

There are so numerous types of lenses on the market, and looking for the perfect one can be confusing and overwhelming. Here are features that you need to look out for when purchasing a lens for your 70D.

Build and Quality

The Canon EOS 70D has a solid structure, so it only makes sense to pair it up with a lens that has an impressive build. Lenses vary in terms of their quality of construction. For example, Sigma 35mm f/1.4DG HSM Art has high build quality while Canon EF 100mm f/2.8L IS USM does not. 

One explanation is that lenses with lower aperture contain more plastic than lenses with a higher aperture. In such a case, the Sigma 35mm f/1.4DG HSMA has an aperture of f/1.4, while the Canon EF 100mm f/2.8L IS USM has an aperture of f/2.8. What is needed is more metal and less plastic, as that is the basis of a high-quality lens. 

Selective focus of black Canon lens

Build and quality is important as you need to make sure that your lens won’t crack or break if you ever accidentally drop it. Also, an indication of a high-quality lens is the pace of its focusing mode, and it needs to be fast and accurate so you can take wonderful shots.

Image Stabilization

More and more lenses are equipped with image stabilization. Since you will be carrying the 70D camera from one room or property to the next, it is best to get a lens with a feature that will combat the shake of the camera.

The shake happens while the shutter of the camera is open. It has an impact when you are shooting at slow speeds, when you are not using a tripod for the camera, and when you are using a lens with a longer focal length. 

There are different types of image stabilization in different kinds of lenses, yet most DSLR lenses that have it have gyro sensors that correct any camera shake, like the Sigma 18-35mm F1.8 Art DC. 

Also, it should be noted that while image stabilization helps stop camera shake, which is useful especially in poorly lit areas, it does not freeze moving subjects. It allows you to shoot at slower shutter speeds, so your camera is open longer. However, if the subject moves, there is a tendency that it will be blurred. 

Image stabilization adds cost to the lens, so this is a feature that needs to be considered carefully. 

Speaking of features adding to the cost of the lens, it is best to consider your funds before getting a lens for the 70D camera. Just like any other item, you get what you pay for.

For the Canon EOS 70D camera, the most affordable one on the list is Canon EF 50mm f/1.4 USM. Even though it does not have all of the features you may be looking for in a lens, it can still get the job done. This is something that beginners need to keep in mind before buying a lens. 

Focusing Distance

Focusing distance is the measurement between the end of the lens and the nearest point that it can focus. It is very useful to know this, especially if you are going to be doing macro photography or zoom photography, as in these types of photography, you will need to get in close to the subject. 

Lenses with great focusing distance features are Canon EF 100mm f/2.8L IS USM and the Canon EF 24-70mm f/2.8L II USM, so if you are into macro and zoom photography, you can pair them up to the EOS 70D camera.


If you have the Canon 70D, it should be honored with the perfect lens. There are only a handful of lenses on the market that will do the camera justice and can be labeled as the best lenses for 70D. 

It is also best to get a lens that matches the features that the 70D camera already has. There are numerous great alternatives that can help you take a great picture just by adding them to the Canon EOS 70D camera, and with some, you don’t even have to break the bank. 

Jared Bauman has spent more than twenty years in the professional photography profession. He founded Bauman Photographers in 2001, which is a wedding and commercial photography studio in San Diego, California. The company has been in business for 20 years, and has a stellar reputation in the community. In 2007, Jared co-founded ShootDotEdit, the premium post production company for professional wedding photographers worldwide. The company has edited millions of images for photographers around the world. Jared has spoken and presented at the Wedding and Portrait Photographers International Conference 9 years in a row. He has also given several multi-day courses on Creative Live, in addition to two national speaking tours.